REVIEW: free Amazon Prime movie: The Last Word (2017)

5849765461b61-e29k2l1h1h7 -- Last Word -- from BleeckerStreetMediaDOTcom

photo credit:


“Please don’t have a nice day.

Have a day that matters. Have a day that’s true.

Have a day that’s direct. Have a day that’s honest.

A nice day? Mmm, you’ll be miserable.

Have a day that means something.”


You can watch the trailer here.

Click here to watch movie on Amazon.

This is not exactly a review.  Just a few thoughts after watching the movie.

Rated R for language, but please don’t let that keep you from enjoying the beautiful story this film has to tell.


It will make you laugh. It might make you cry.

It will remind you of people who have been important in your life.

It will inspire you t‎o be that person for others.

Harriet Lauler (played by Shirley MacLaine) decides to write the ending of her life’s story, with the help of a young obituary writer (played by Amanda Seyfried). In a way, Harriet fabricates Scrooge’s Christmas morning transformation. She wants people to think well of her when she’s gone. Although she makes some changes in her last days, remarkably, she makes the most impact when she simply continues to be her authentic self.

There’s a lesson in there for all of us.

When we stay true to who we are and why we’re here, the rest will follow.

It may not look the way we expected – success, family, love, contribution to society – but just by being and doing, ripples will go out into the world.

Live your life fully. Not only for yourself, but for others as well.

And yes, I was pointing at my reflection in the mirror as I wrote that.


Until next time.



“Fall on your face. Fail. Fail spectacularly.

Because when you fail, you learn. When you fail, you live.”


REVIEW: free Amazon Prime movie: “The Book and The Rose” (2001)

51X-6aRb0ML the book and the rose

“Tell me who you love and I will tell you who you are.”

To all the romantics out there: do you wish you had time to spend a lazy day binge-watching Hallmark Channel movies or your all-time favorite romcoms, but you just don’t have that kind of time?

I’ve got a solution for you: the short film The Book and the Rose (30 min)

As I was reading Pamela Redmond Satran’s book How Not to Act Old, I was reminded of the following quote from this movie, which I saw a few years ago (and watched again yesterday).

“I’m as old as everything I’ve ever done,

and as young as everything I still want to do.”

~~ Sarah’s reply when John asks about her age

Do you like a good “meet cute”?  Enjoy the pen pal aspect of You’ve Got Mail (or Shop Around the Corner)?  This film will make your heart happy.

Since this is a review of a short film, I will let my words be few (relatively few, anyway).

extraextra -- the book and the rose

Semi-finalist 2003 Academy Award for Best Short Film.

Winner of 27 awards; 56 film festivals.

Set in 1942.  Philadelphia, PA & Huntington, WV.

The screenplay is based on Max Lucado’s short story “The People with the Roses” (included in his book And the Angels Were Silent).  Or you can read it here (click on “Short Story”in the menu) — interesting to compare, particularly to see how Jeff Bemiss expanded on Lucado’s approximately forty sentences.

still03 -- the book and the rose

If you asked me for a plot summary, I would say something like:

A man spends $1.50 to buy a first edition of Anna Karenina, only to find its margins filled with the thoughts of the book’s previous owner.  After tracking down an address for the woman who scribbled and underlined Tolstoy’s masterpiece, he begins exchanging letters with her.

In Sarah’s reply to John’s first letter:

“That’s what reading a book is to me –

lingering over the parts I like, recording my thoughts and feelings.  

As long as I can remember, books have been my diary.”

Books are like that for me too – fiction and non-fiction alike.  In fact as a teen, I carried a paperback anthology of poetry with me everywhere I went.  I would write the date when I first read each poem and underline words or phrases that had significance for me, as well as writing my thoughts in the margin.  Sometimes, I would reread old favorites and add new thoughts.  I still have that book with my writing filling most of the pages.  It is interesting how my penmanship (and choice of ink color) has changed over time – although still recognizably mine, it is clearly penned with a less mature hand.  It is far more interesting to see where my thinking has remained the same and where it now differs.

John wrote to Sarah:

“Every time I write you, every time I read you, I feel a bit of my life happening.”

Getting to know someone through their handwritten comments is a romantically appealing notion to me.  I suppose that the modern day equivalent would be activating the popular highlighting of other readers on e-books … or live tweeting during a tv show or movie.

still06 -- the book and the rose

No matter the time period, the form of communication, or the method of transportation, it is our interaction with people and their ideas that shapes our lives – ourselves and our days.  Be present and view the life around you with soft, receiving eyes.  Take it all in.  Do not preemptively discard things, people, or ideas that may turn out to be life-changing and defining.

“A month doesn’t pass, that I don’t think about it.  How close I came …

I was looking for a beautiful woman, and almost missed the love of my life.”

I hope you enjoy the movie both for its love story and its philosophical reminders.  And that you find (or make) a little time to kick back, relax, laugh … do something nice for yourself and someone else.

“Tell me who you love and I will tell you who you are.”

Creole proverb; handwritten by Sarah in margin of book

Until next time.


P.S.   Things you may find interesting:

*     Interview with director and screenwriter Jeff Bemiss — print interview CLICK HERE

*    “Sarah’s Theme” by composer Gregg Conser — CLICK HERE

*     Screenplay  (click on “Shooting Script” in the menu) — HERE

*     Behind the scenes photos — CLICK HERE

REVIEW: free Amazon Prime movie: “Savior” (2014)

712bfcK4OaL._UY200_UY200_ -- Savior 2014

Happy Easter!

In the Christian tradition, this is Holy Week.  Even if we did not know this from looking at a calendar, it would become apparent when looking through the television listings – movies and documentaries about the life, crucifixion, and resurrection of Jesus Christ, plus “Biblical epics” both classic and new.

Most are familiar with the obvious seasonal choices, such as The Passion of the Christ (2004).  Recently, the airwaves have bombarded viewers with promos for The Dovekeepers on CBS and A.D. The Bible Continues on NBC.  Then there are the classic grand-scale epics like The Ten Commandments (1956).

For many years, my seasonal habit has been to read, listen to, and/or view The Lion, the Witch, and the Wardrobe in some form.  Although it is an allegory, I have enjoyed its telling of the Easter story since I was a child.

The book can be read as originally published in the UK or its slightly altered version released in the US.  There is an unabridged audiobook (narrated by Michael York), as well as two recordings of radio theatre adaptations.  There are three films: the 1979 animated version (Children’s Television Workshop), the 1988 BBC version (which was followed by Prince Caspian, The Voyage of the Dawn Treader, and The Silver Chair) and the more recent version in 2005 by Disney/Walden Media (followed by Prince Caspian and The Voyage of the Dawn Treader).  Additionally, I am aware of at least five stage adaptions (including a musical).

I would recommend the C.S. Lewis classic in any form.

 71iBTF7i8qL -- LWW narnia Lewis cover


Switching track now to review a film I stumbled upon this week.  While looking through available seasonal viewing on Amazon Instant Video, I found the independent film Savior among those free for Prime members.

Click here:  Savior (2014)

To view a two-minute trailer:

Written and produced by local congregation members from Freedom Church in the U.K.  This 50 minute film sets the Christmas story against the backdrop of 21st century England.  The last few minutes (at 45:25 on the counter), it shifts to telling the Easter story with the use of a voiceover, which the film also employs in its introductory segment.  In my opinion, these portions are the best writing found here and worth viewing even if you fast forward through the middle.

For an independent film, it is quite well done.  Bringing the story into a modern context will at times make you chuckle, but the device is effective in causing the viewer to see that these events could truly happen.  You see the strain on the relationship of Mary and Joe, the representation of social strata, what pressure and power look like in a modern political climate, etc.  Setting it in Britain, where there is both elected government and a royal family, gave context to Herod’s concern of being overthrown by the King of Kings.

I watched this film twice in the past week for free on Amazon – and then ordered a dvd copy for my home collection.

Here is an excerpt from voiceover at end:

“The Savior of the world in the form of a baby.  Looking at His beauty and fragility, it was hard for them to believe that this was the one they had all been waiting for.  But they all knew it to be true.  They all knew that this child would grow to be the hope for all mankind.

To change the world, you don’t need to be the strongest or the wisest, the bravest or the most qualified.  All you need to change the world is to be willing – willing to accept the call.  God uses normal people to make a difference in this world.  He uses those with an ordinary present to make an extraordinary future.  …

That baby grew to be a man, a man who was assigned to rip mankind from the jaws of darkness, a man who was called to fight death in exchange for our freedom.   He came and lived a life of defiant faith, triumphant justice, and ferocious love.  But to free man from the power of sin, to save mankind once and for all, there was one more thing He had to do. …

Finally, a way has been made.  His name is Jesus Christ and He is the Savior to all mankind, now and forever.”

stained glass window in the Visitor Center of Blenko Glass Company (Milton WV)

stained glass window in the Visitor Center of     Blenko Glass Company (Milton WV)

Until next time.

~~ EJ

REVIEW: free Amazon Prime movie: “The Other End of the Line” (2008) PG-13

The Other End of the Line

I had not planned on doing a movie review right now.  I had planned to carefully choose an old favorite or a new release.  However, I watched this movie a couple days ago and then watched it again today with my spouse.  In my book, anything worth watching a second time is worth recommending.  Amazon tells me it is free for only 3 more days.  So the tyranny of the urgent wins out in this case.

Click here: The Other End of the Line.  FREE with Amazon Prime through 3/31.  After that, $2.99 for rental.

INTRO: Amazon Prime free movies – helping you find hidden gems

This will be the first of many reviews of this type – movies that (at the time of the post) are free with Amazon Prime … which I usually pick rather randomly.

I have been an Amazon Prime member from the beginning.  At first, it was just for the shipping benefits.  Over the years, the benefits have expanded and I have tried to make use of them.  I have watched many old favorites (from 1940s screwball comedies to 1960s beach romps to 1980s John Hughes classics).  I have binged watched several tv shows that I missed (or avoided) when they originally aired.

However, one of the most delightful things is to stumble upon a “hidden gem” and watch it on a hunch – could be the summary, trailer, reviews, an actor’s name I recognize, the poster art – but something will get me to take a chance and at least watch the first 10 minutes.  I will pass along recommendations to you here, on Twitter, and/or Facebook.


As modern romantic comedies go, The Other End of the Line is better than average.  I am a fan of the genre, particularly when I am in the mood for something fluffy, something that requires little thought.  (Apropos, as amusement = without thought.)  If you appreciate an old-fashioned “meet cute” scenario, then you’ll delight in getting to see the leading man meet his love twice.  In real life, he might have overlooked her, as he was busy trying to land an account with a big client and was already involved with a woman who was perfect for him, at least “on paper.”  However, this is fiction – an unabashedly romantic comedy, at that – so it should not be surprising that he notices her.

One theme that has been already done, but well executed in this film, is the clash of two cultures.  If you enjoy seeing two people choose love over what is expected in their respective worlds (think: My Big Fat Greek Wedding, Bend It Like Beckham, Fools Rush In, etc.), then you are sure to enjoy this movie.   To say much more than that would be unnecessary and could be considered spoiler.

When watching a movie or tv show in the comfort of my home, I almost always have some device in my hand or on my lap so that I can investigate the credits on IMDB.  A professor of mine once pointed out that you find out the most interesting things in the footnotes, credits, liner notes, etc. – and I have repeatedly found her words to be true.  So rather than give you a rehashing of the plot, I will choose to point out some of the talent associated with this project.

The performances are solid, the acting (while not necessarily Oscar-worthy) is believable.  The roles were well cast, particularly for the genre.  There are recognizable faces for viewers of various ages: Anupam Kher (Jesminder’s father in Bend It Like Beckham), Austin Basis (J.T. on CW’s Beauty and the Beast), Larry Miller (Paolo the hairdresser in Princess Diaries), Jesse Metcalfe (John Rowland on Desperate Housewives), and Sara Foster (VH1’s new faux-reality show Barely Famous).   For more info:

As a musician, I always notice the use of music in film, whether it be the placement of popular songs or underscore written for the movie.  In both cases, this was accomplished well (I hate to sound like a broken record) for the genre.  As a result, the remainder of this review will deal with the music.  There are certain things that audiences have come to expect in romantic comedies – the appropriate sprinkling of fun songs during montages (a fun day together or a date night), with the occasional romantic song (a line or two heard prominently before fading into the background for us to hear dialogue), as well as the underscoring (particularly during travel, humorous moments, near kisses).   And if there is a gathering of some sort (party or wedding), then there will inevitably be dance music.  This film ticks all the musical boxes.

Some of the songs in this film have been used repeatedly, but the covers/arrangements found here are well-chosen and deserve a listen on their own merits.  One minor complaint: I feel that it should be noted that the use here of Marie Barnett’s “Breathe” (ASCAP 2002 most recorded song) is out of context.  I recall it was used similarly in a tv commercial – extracting one phrase of lyrics and primarily using it is an instrumental to set a mood.  In this film, it is used as if it were a song of romantic love.  For those familiar with the song, its use here feels a bit odd.  The song was in fact spontaneously sung during a church service in 1995 and subsequently became a popular contemporary worship anthem, recorded by many artists including Michael W. Smith. (More info:

The film score was composed by BC Smith.  I must admit that I did not recognize his name, but I was familiar with some of his other credits.  A cursory look at his website, including training mentioned in his bio, indicates that this will not be the last time I run across his name.  Not surprisingly from the score of this film and confirmed by a glance at his credits, he is comfortable in a wide array of musical genres.  He is among the ranks of the (largely) nameless, faceless composers in Hollywood who turn out a stream of quality work.  They do not necessarily have an identifiable “sound” because they are chameleons and thus quite adept at using a variety of dialects within the language of music.  If film music is of interest to you, give his work further consideration:

In conclusion, there are many reasons why it is worth spending 1 hour 45 minutes watching this movie.  It will make you laugh.  It will warm your heart.  You might even watch it a second time.

Until next time.

~~ EJ